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Though for more in-depth editing Premiere Pro or Final Cut Pro X is certainly the better choice. It sits in place with iMovie as being a simple video editor with minimal frills.
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It could do with a few extra manual controls for audio, and file navigation on the local storage space, but it’s clearly aimed at cloud storage with online publishing facilities, which it does very well. It's not the cheapest video editing software, a strong competitor, KineMaster, costs just $4.99 a month. It’s relatively inexpensive at $9.99 / £9.99 a month for the CC license, and means users can pick it up and put it down month-to-month as and when they need it.Īlternatively, you can buy Rush as part of a subscription to Premiere Pro for $20.99 / £19.97 a month, or as part of the Creative Cloud collection for $52.99 / £49.94 per month. Adobe Premiere Rush: Should you buy it?įor users looking to maximise their creative output and save time in front of the screen, Premiere Rush is a good, simple video editor with all the most basic editing tools you could ask for. This is a useful feature for editors who want to begin an edit using their mobile device before fine-tuning it later. However, the Project Sync feature makes it possible to start an edit in Rush then send it to Pro.
Adobe Premiere Rush: Premiere Pro compatibilityīecause it’s significantly scaled down, those who want to really fine-tune their edits or make complex videos won’t find the options to do so in Premiere Rush. Placement of graphics is also automatically adjusted for ideal positioning in each aspect ratio. This intelligently locates the most important part of a clip and ensures it’s not cropped out when the aspect ratio is changed. There’s an option to switch the aspect ratio of your edit between 16:9, 9:16, 4:5, and 1:1, and Auto Reframe was added in the August 2020 update. It's brilliant how easy this makes sharing content online for creators, with specific aspect ratios and quality required for each platform taken care of by the software. Adobe Premiere Rush: Pan and ZoomĪuto Reframe detects the action in your video clips (Image credit: Adobe) For example, a basic compressor, parametric equaliser, and noise gate would be simple enough to include on sliders and useful for those that know a little about audio production to make some specific tweaks themselves. We’d like to see at least a simple manual editing tool for the audio here, similar to what we find in the Color’s ‘Edit’ column. However, in the Audio tool in the editing panel on the right you can make a few audio adjustments including volume, muting, and automatic volume and ducking adjustment. This kind of doubling up is rarely seen throughout Premiere Rush, so is a little surprising. The audio channel in the timeline can be expanded for more accurate editing in one of two ways: either with the button bottom-left or by right-clicking the clip in the timeline and choosing Expand audio.
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Though not as in depth as you’d get on desktop software like Premiere Pro, these are intuitive and easy, not at all as fiddly as audio editing can become. There’s a useful selection of audio adjustments you can make: both manual and auto volume levels, noise and echo reduction, and speech enhancement (which raises or lowers the pitch). The audio options are fairly straightforward, and may be too basic for some (Image credit: Jason Parnell Brookes)Īs well as adding music and effects, you can record voiceover directly into Premiere Rush. However, we would like to see the addition of an ability to right-click media files (whether audio, video, or titles) in the project panel and open their file directory on the local storage, if only to keep track of where each project is stored, though we understand Adobe’s affinity for storing via the creative cloud.
It’s so intuitive to use that almost anyone could work through it, even without a tutorial to guide. Select the file you want and click the Add button to add it to the timeline. It renders each media file in neat 1:1 squares within the panel and has plenty of negative space to the margin on the left which maintains the decluttered workspace that Adobe is clearly aiming for.įrom here you can filter by file type, and sort by name. Click the folder bin icon on the left of the window and it’ll open up the Project panel which houses all the media you’ve imported for your edit. Premiere Rush’s workspace is laid out chronologically, from import, to editing, left-to-right. It is a complete package tool for video editing purposes.Premiere Rush's layout is pretty easy to get to grips with (Image credit: Jason Parnell-Brookes)
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